We live in a time that is characterised by cynicism and negativity, but not all artists’ work reflects this. Gallo’s works give a sense of the small pleasures in life; the work of Michael Flynn shouts a celebration of life. His small sculptures appear to be quickly and effortlessly modelled, but are, in fact, carefully composed, with clear historical references to classic artwork. In his series
A Sofa for the Gods, we could be looking at a re-enactment of Auguste Leveque’s A Bacchanalia Scene or perhaps an orgy scene from an ancient Greek amphora. The Sofa series uses multiple figures, but many of Flynn’s works are of two, invoking a much more intimate and sensual interplay. His poses and the relationships he creates between his often entwined and connected figures are dance-like and carnal, conflicted and tender, mythic and commonplace, and often humorous.
"From Cynics to Celebrants", Ceramic Review 254 March/April 2012.
A Sofa for the Gods, we could be looking at a re-enactment of Auguste Leveque’s A Bacchanalia Scene or perhaps an orgy scene from an ancient Greek amphora. The Sofa series uses multiple figures, but many of Flynn’s works are of two, invoking a much more intimate and sensual interplay. His poses and the relationships he creates between his often entwined and connected figures are dance-like and carnal, conflicted and tender, mythic and commonplace, and often humorous.
"From Cynics to Celebrants", Ceramic Review 254 March/April 2012.